by Becky Joy Image

What Is The Color Harmony of The Scene?

Look at the scene you are about to paint. Is there a color that dominates? What color do you see more than others? Or, is there a color that stands out from all the rest? Is there a mood you want to capture using color?

Color harmony is a harmonious arrangement of colors in a painting that is pleasant to view. The color wheel (primary and secondary colors) can serve as a guide to you. There are colors that work together both in the color families and the intensity. At the other end will be colors that are opposites.

color wheel

A monochromatic color grouping can be achieved by using one color family, adding interest by increasing or decreasing color intensity.  Analogous colors are colors right next to each other on the color wheel. The variety can vary by how far on each end  you go with colors next to each other. An analogous palette will give you more variety, but will still be calming and soothing. If you choose opposite colors on the color wheel, you choice will give you more energy and excitement.

The most frequently used group of colors is the triad, a little of each of three colors all spaced evenly apart around the color wheel.  A triangle will form when connecting all three colors on the color wheel.  Example: blue-violet, yellow-green and red-orange or any other combination of three colors evenly spaced around the color wheel.

12 color wheel

A split complementary is similar to the complementary color harmony.  Choose one color to start with, such as orange. In the complementary scheme you would choose blue as the opposite color. In the split, choose the two colors on each  side of the blue, such as the blue violet and blue-green. This gives the split in split complementary.

Beyond the color wheel, harmony is also created by using similar purities of color or tonal qualities. This isn’t always a very practical use of harmony in paintings.

To create a successful painting you will use color harmony in some way. You will need to:

  1. use a limited palette to start with
  2. use the colors in the scene in front of you
  3. pick out a color in the scene and emphasize it
  4. impose a color scheme which you don’t see to create a different feeling
  5. use color families in unequal amounts in the painting

As a final thought the color harmony that you paint is up to you. You have choices that you can make.

Talk to Me! You are encouraged to use the comment section to post anything you have to say regarding the topic at hand. Your replys tell me what you are interested in, enabling me to build stronger content for this site. So, who wants to go first?
{ 0 Comments }

How to Adapt to Changing Light in Plein Air Painting

Image
Have you ever wondered what to paint first and how to get it all when the light is changing so quickly when you are plein air painting? I’ll tell you what I think about and my process. As you know, it isn’t wise to start chasing the light. Once you do that your painting can [...]

Using Shapes to Construct Your Scene

Image
The shapes of the scene need to be viewed as if looking through a gauze curtain. This would make it hard to focus on anything or see any detail. You can achieve this by squinting at a scene. By squinting, you will just see the major values and shapes. Open your eyes and you will [...]

How to Paint Looser and Juicier

Image
Featured Painting: Cry Me a River  mixed media  10″x12″ I receive emails from artists telling me they want to learn to paint looser and with more paint. We all start painting tight, detailed paintings, painting what we see. I thought would make a list of things to help you move in that direction. First squint, [...]

Bartlett Lake Plein Air Painting Progression

Image
    Recently I painted out at Bartlett Lake north of Phoenix. I took some photos of the painting in progress. There are a few gaps and I wish that I had taken more photos for you, but I find that I get involved with my painting and at times forget about the steps. The [...]

How to Choose a Plein Air Easel

Image
Recently, I gave a presentation at the Plein Air Convention in Monterrey for the Basics Course. The course covered things about equipment and the process of painting. My presentation was about equipment, what you need and don’t need. I think choosing an easel is probably the most difficult piece of equipment to choose, certainly it [...]

The Second Annual Plein Air Convention

Image
The day before the official start of the convention, a day was added to have a Basics Course and a forum for Event Organizers. I gave the first presentation of the convention, talking about plein air equipment and supplies. (The next post will be about my presentation).  With mine over, I could sit back and [...]